Sunday, July 13, 2014

There are many ways to govern. He ruled delivering con grazia impressive. Not only giving people th


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There are many ways to govern. He ruled delivering con grazia impressive. Not only giving people the spectacle, pleasures, amusements that want and deserve, but, personally appearing on stage himself. Having interpreted with great talent and good guy role and perhaps even better yet, what the wicked. The thing we take more seriously in his life was to play his role well. "People watching and applauding ... an emperor - actor (scenici imperatoris)", taught to recognize one of those who had said white and black (Pliny). What was more interested con grazia audience. To talk to the good or bad cared less: even harsher detractors agreed that in the beginning was extremely polite and gracious to opponents and critics, even those who say no worse. He said that he feared judges, even when not showing open hostility: to thank, of buying. Enemies and bad language ascribed most terrible sins, but he stayed and came to rely on a wave of popularity restrained until when the economy con grazia went well, until his government was capable people, especially a banker who should know, and had created great moralizuesit fame. His masterpiece in the economic policy of tax reduction, which was in contrast to his grandiose projects of public works, (which apply and which have been preserved to our day trail). There was a disgraceful end when the start things went wrong, his most loyal to rebel and began to leave one by one. But there were also those who wept, among ordinary people, if not elite. Lasted much hope that it would return. Excellent recent biography of Nero from Princeton University klasicisti Edward CHAMPLIN, not at all ignores the fact that for two millennia his fame has been very bad, is "based on a series of extravagant public gestures, generally scandalous, often disgusting , always passionate about: is he that killed his mother with whom he had probably gone to bed, that he killed in an explosion of fury pregnant wife, who trodhi and married a New Liberty, whose recall, went scenes public to interpret a crazy hero or a woman born. drove a cart with ten horses in the Olympics, blew harp while Rome burned, Christians transformed into torches to illuminate the night, built the Domus Aurea famous (according to contemporaries completed to transform the entire city into "a single house", his own). " There is not even one of the "rehabilitation" that still occasionally tempted, nor trying to justify all this, while involved in a political program with extensive breath. As did many other scholars, is not limited to ascertain that everything we know about the character, comes from sources "hostile". Puts more emphasis on the element of theatricality willing constant, desired, to study and to suggest that sadly most notorious con grazia actions can be found so that probably has not to do with the "madness", even "kafshërinë" which is often attributed, that "as monstrous, surprising or irrational it may seem to his behavior, she was hiding a goal, a constant calculation of the effects of his actions on the public", that "if most sensational episodes of life his charmed period after death, as a light pale and distorted by tradition, it is because the original Nero himself was a playwright. " CHAMPLIN book "reveals an image of its artist, inventor of his own myth ... From a terrible con grazia event occurs magnificent shining a project for eternity," is how the reader has issued an authoritative conclusion as Andrea Giardina. Reads easily and flows like a novel, but okay academic credentials, though cautiously transferred to qindëshen pages with notes at the end of the volume. Although CHAMPLIN leaves a free hand pinch his thesis, when the epilogue fails to state that, "Nero who has appeared on previous pages, whatever his many faults as emperor and as human beings, was a man with great talent, with great smelling and boundless energy. was an artist who believed in his skills, his vision and a dedicated esthete life as work of art. was a historian with a strong sense of the past (real, legendary, con grazia mythical) in everyday life of Rome and a public relations man ahead of his times, able to penetrate what people want, often before you realize

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